Universal Audio Uad 2 Torrent

5/3/2019by admin

00:00:09
Hey, how's it going?I'm Ben Lindell.

Oct 2, 2015 - Learn how to use the powerful UAD-2 and Apollo software/hardware combo from Universal Audio to mix down songs and emulate classic.

00:00:11
Today, I'm gonna be taking you throughmy 2-Bus processing on a mix that I did.

00:00:14
Cara instal opl di flashdisk. This is a dance/pop kind of song,so I'm gonna be doinga little bit of EQ, compression, andjust general beautification to my mix.

00:00:21
Now, this isn't mastering,but what I like to deliver to my clientsis as close to a mastered soundas I can get.

00:00:27
I did all my processing on this mixusing UAD plug-ins.

00:00:30
Let's get started!Since I already finished this mix,all my plug-ins are already set.

00:00:35
What I'm gonna do is I'm gonnawalk you through each plug-in,explain a little bit aboutwhy I chose it,and what function it's serving,and give you a little before and after.

00:00:43
The first plug-in in my chainis the Cambridge EQ.

00:00:46
I'm not using it for a lot.I'm just using the high-pass filter,set at 24 dB per octaveand around 30 Hz or so.

00:00:53
What this is doing isit's cutting all the extra fatthat I don't need at the bottom, andgiving me a tighter, punchier bottom end.

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Let's check it out. Without.

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And with.

00:01:20
It's a really subtle difference.

00:01:22
If you're listening onlaptop speakers, or earbuds,you're probably not gonna hear it.But in the mixing studio,where I have a subwoofer,or large main speakers,I can really hear the differencein the tightness of my bottom end.

00:01:33
The next plug-in in my chainis the Fatso Jr.

00:01:36
This isa tape simulator/compressor plug-in.

00:01:39
But since this is a dance track,I don't need any tape simulation.

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I don't need the songto sound any softer,I need it to pump a little bit more.So I'm gonna turn of the Tranny,turn off the Warmth setting,and just usethe Buss compressor setting,which is a slow attack, a fast release,a gentle knee,and about a 2:1 compression ratio,and just hit that a little bit,to make my song breathea little bit more. Here's without.

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And here's with.

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And again, without.

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And with.

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As you can hear, the Fatso is bringingmy whole mix forward a little bit.

00:02:45
It's not really doing anythingto the transients,but everything else is pumping upa little bit more,and is just a little punchier,which is exactly what I was looking for.

00:02:53
The next plug-in on my 2-Bus isthe Brainworx Digital V2 EQ.

00:02:56
It's a mid/side EQ that allows meto expand the stereo width of my mixand also find any problem frequenciesthat are bunching up.

00:03:04
Let me show you what I'm talking about.

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I'm using the Auto-Listen functionof this plug-in a lot.

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It allows me to sweep around and findproblematic frequencies easily.

00:03:12
Check it out!So you can see, right around 128 Hz,I hear a little too much going on there.

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So I notch it down between 1 and 2 dB,and then I go to my Stereo Width knob,just to open it up a little bit,and now let's check outwhat this sounds like before and after.

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First, without.

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And with.

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Again, without.

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And with.

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So I feel likemy mix is basically there.

00:04:22
These last couple of plug-ins addjust the little finishing touches,just a little bit more prettinessto my mix.

00:04:27
The first one isthe UAD Precision Maximizer.

00:04:30
I don't really use this plug-infor any of its limiting functions.

00:04:33
I just like the waythe Shape knob sounds.

00:04:35
It just addsa little more excitement to the mix.

00:04:37
Check it out! First, without.

00:04:48
And with.

00:04:58
Once again,this is a very subtle difference.

00:05:00
It's adding a little bit of harmonicsthat extend the top end a little bit.

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Check it out! Again, without.

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And with.

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You can really hear iton the claps and the vocals.

00:05:28
And finally, the last plug-inin my chain is the Pultec EQ.

00:05:31
I really love how this just gently liftsthe bottom and top of my mix.

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I'm just going up a little bit at 30 Hzand a little bit at 12 kHz.

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Check it out. First, without.

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And with.

00:06:03
Again, without the Pultec.

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And with.

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As you can hear,all my processing on the 2-Busis just subtle little enhancements.

00:06:30
I consider thisto be part of the mixing process.

00:06:32
I'm just trying to give my clientsthe best sounding mix possibleand make my mastering engineer's lifeas easy as possible.

00:06:38
So now, just for fun,let's listen to my mixwithout any of my 2-Bus processing,and then with.

00:06:44
First, without any of my 2-Bus plug-ins.

00:06:56
And now,with all my plug-ins reactivated.

00:07:08
Again, with no plug-ins on my 2-Bus.

00:07:20
And with all my plug-ins enabled again.

I just sold my UAD, and I've been slowly replacing things where possible. But for MANY of the plugins, there really is no replacement. (tear)
If you are trying to list plugins to ween UAD users off the crack then I applaude your efforts, though far off you are in many of your comparison/alternatives.
I have replacements for some of the plugs, the ArtsAcoustic range certainly help take the edge off the pain.. There are plenty of good native plugs out there, The Glue, the Steven Slate gear etc etc.. but no other algorithms that do it in the same way. 100s and 100s of person hours have gone into them, and aside from the fact that they are emulating actual hardware units - many of the plugins are the best in their field. The Moog filter for example, (until hopefully The Drop) just pwns all other filters. Don't debate, just listen to it. The EMT140 plate is stunning, and I'm not sure if I WILL find a replacement for it..
The VOG, um, good luck! ..The EP-34 has such a unique harmonic feed and temperamental nature that I can't replace IT. SO MANY of the plugs have NO real alternative, simply because of the SOUND!!!!!!!!!!!!!
I have 'A/B'ed till the cows came home.
If you are just making a list because you hate UAD or something, then you are kind of wasting your time. I'm not trying to burn, I'm just saying that this is either just too subjective, or missing the point that these plugs are emulating gear that is very unique, and has a certain SOUND..